Vaso Malles in ceramica nera di Sejnane selezionato da Vicode in un interno contemporaneo
MALLES X VICODE

Sejnane pottery: between material, memory, and design

A collection born from the earth, from the gestures and memories of the women of Sejnane. Vicode brings these objects into dialogue with contemporary interiors, preserving their archaic strength and sculptural presence.

A meeting that tells the story of Vicode

For Vicode, Malles is not merely a collection of ceramics. It is one of the encounters that best conveys our idea of an object: a presence capable of bringing a story, a material, and a culture into a space.

We chose Malles because each vase retains the strength of ancient craftsmanship while simultaneously possessing a contemporary presence. The dark surfaces, essential forms, irregularities, and living material naturally complement sophisticated, cultured, and quiet interiors.

Earth, fire, gesture, and memory coexist in a Malles vase. It is not a decorative object in the most common sense of the term: it is a form that carries an origin within itself.

In this story:

Lavorazione manuale della ceramica di Sejnane in Tunisia con argilla e superfici materiche

Sejnane, a women's tradition

In Sejnane, northern Tunisia, pottery is a female, domestic, and communal practice. Women shape the earth, create forms, decorate surfaces, and accompany every stage of the process with knowledge passed down through time.

In 2018, the pottery skills of the women of Sejnane were inscribed on the Representative List of the Intangible Cultural Heritage of Humanity by UNESCO. This recognition does not concern only a technique, but a cultural system made of gestures, forms, symbols, environment, and knowledge transmission.

Each pot is thus born from a slow, manual process deeply connected to the place.

Vaso Malles in ceramica di Sejnane raccontato attraverso materia, memoria e progetto curatoriale

Malles: shaping a story

Malles was born from the desire to give a voice to a living tradition, which is often not very visible. The project builds a bridge between the artisans of Sejnane, their personal stories, and new cultural, exhibition, and design contexts.

Vittoria Capresi has collected stories, creative processes, and testimonies from the artisans, transforming each object into a form capable of speaking not only of material but also of identity, work, and memory.

For Vicode, encountering Malles means recognizing a rare strength in these vases: the ability to be ancient and contemporary at the same time.

To find the right position, it is important to consider eye level. A piece hung too high loses connection with the viewer; too low, it can appear overwhelmed by furniture or nearby objects. In general, the visual center of the piece should remain in an area naturally readable by those entering the room or sitting in the space.

Distance also matters. A highly detailed piece requires a close viewing point, while a large painting or one with broad strokes needs more breathing room.

From soil to pot

Argilla naturale e terra usate per la lavorazione artigianale delle ceramiche di Sejnane

From the ground to the pot

The initial material is simple and primary: earth transformed into clay, chosen to become form.

Mani che modellano a mano un vaso in argilla secondo una lavorazione artigianale

The gesture

The form is born from the hands, not seeking industrial perfection, but a living presence.

Ceramiche scure dopo la cottura con superfici brunite e materiche

The fire

Cooking transforms matter, leaving variations, shadows, and depths on the surface.

Dettaglio della superficie irregolare di un vaso Malles in ceramica nera di Sejnane

Memory

Each vase retains differences, marks, and irregularities that make it unique.

Vasi Malles in ceramica nera selezionati da Vicode in un interno elegante con libri d’arte

Why Vicode chose Malles

We chose Malles because it precisely represents what we seek: objects with a soul, born from true material and from hands that hold knowledge.

Their value lies not only in their formal beauty but in their ability to bridge geographies, cultures, and contemporary interiors. In a home, a Malles vase does not appear as a simple ethnic or decorative object. It carries a deeper presence: earth, time, gesture, and identity.

This is why we wanted them within Vicode: not to add a collection, but to preserve and tell a story.

Discover the Malles x Vicode selection

scultura Malles di Sejnane come presenza scultorea in una madia contemporanea di design stile liaigre

A sculptural presence for the home

Placing a Malles vase in a contemporary interior means creating a measured contrast between archaic material and current space. The dark surface, compact shape, and sculptural presence allow these objects to interact with wood, stone, linen, burnished metals, and works of art.

On a sideboard, they can become the focal point of the composition. In a bookcase, they introduce a material pause between books and objects. In a niche, they take on almost the value of a small sculpture.

Their strength lies precisely in their ability to exist on their own, without needing to be completed.

To delve deeper into the relationship between objects and space, read the guide Space Decoration.

Vaso Malles in ceramica nera inserito in un allestimento di design contemporaneo living divani, allestimento studio ossino,

From ancestral gesture to contemporary design

Some Malles vases selected by Vicode have entered into dialogue with the world of contemporary design, even in highly visible contexts.

In 2026, Malles pieces purchased from Vicode were featured on the Living Divani stand at the Salone del Mobile, as part of the exhibition curated by Studio Ossino.

For us, this was an important confirmation: objects born from ancestral craftsmanship can engage with the most sophisticated design, without losing their identity.

Allestimento Materia senza tempo con vasi Malles a Palazzo Pretorio Vicopisano

Timeless Matter at Palazzo Pretorio

With "Materia senza tempo" (Timeless Matter), Vicode brought Malles ceramics into Palazzo Pretorio, in Vicopisano, creating a dialogue between medieval architecture, Tunisian material, and contemporary vision.

The event stemmed from a simple idea: to show how a handcrafted object can traverse different places, eras, and cultures, while maintaining its intrinsic power.

The historic halls of the palace welcomed the ceramics as silent presences, capable of building a relationship between memory, material, and space.

Frequently Asked Questions

What are Sejnane ceramics?

These are terracotta artifacts made according to a female tradition from northern Tunisia. The shapes are molded and decorated by hand, using techniques passed down through time and deeply connected to the local community.

Why is Sejnane pottery recognized by UNESCO?

In 2018, the pottery skills of the women of Sejnane were inscribed on UNESCO’s Representative List of the Intangible Cultural Heritage of Humanity. This recognition highlights knowledge made up of gestures, techniques, forms, and female transmission.

Are Malles vases one-of-a-kind pieces?

Each vase shows variations in shape, surface, and finish due to manual craftsmanship. Even when belonging to the same formal family, each piece retains its own identity.

How to decorate your home with a Malles vase?

A Malles vase can be displayed on a sideboard, in a bookcase, in a niche, or as a standalone sculptural piece. It works particularly well next to natural materials, art books, essential artworks and surfaces.

Why did Vicode choose Malles?

Because Malles perfectly represents our idea of an object: authentic material, manual craftsmanship, cultural identity, and the ability to interact with contemporary interiors without losing its origins.

mani che sfogliano un libro all'interno dello studio vicode, dove ci sono materiali e vasi

Keep exploring

All stories dedicated to materials, journeys, artists, projects, and events that define the Vicode vision.

A journey to discover the materials, techniques, surfaces, and processes that make artisan ceramics unique.

Compositional principles to enhance sideboards, shelves, consoles, coffee tables and niches with objects, books and works of art.

Appointments, vernissages and installations where Vicode objects interact with people and places.